Why a piper should rarely EVER play the notes written on the page as they are written - and how you should play them instead!
Why ideas like “light and shade,” “strong-weak-medium-weak,” and “heavy left foot” should be set aside, and what you should work on in their place...
The simple, repeatable “contrast” method that gets you 60% of the way towards great bagpipe expression.
How “short-note-fusion,” another relatively simple concept, gets you the next 35% of the way towards excellent bagpipe expression.
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